Book review

A Hat Full of Sky, (Discworld 32) by Sir Terry Pratchett, 2004

Books can help us navigate our way through life. People who don’t read can get on well of course, but having books with you along the way can help hugely. I can’t think of a greater challenge in life than the transition to adolescence, and I equally can’t imagine how amazing it would have been to have made that journey with the Tiffany Aching novels by my side. Because this series is about growing up, not in a self-conscious ‘so here’s how to deal with bullies’ way, but by sharing Tiffany’s story.

A Hat Full of Sky is the sequel to the Wee Free Men. Tiffany, now eleven, is leaving family and home to train as an apprentice witch. Leaving her beloved Chalk, the land of her childhood, is hard for her, leaving behind everything that is comfortable and familiar. She goes to live with Miss Level, a witch who has two bodies ( a nice twist on the split personality idea) and a poltergeist named Oswald who cleans the house (another clever inversion).

Tiffany’s powers are such that unknown to her she is being hunted by a dangerous magical creature, a hiver, an ancient parasitical paranormal entity. She is particularly vulnerable when she uses her powers to step outside her body, which she does innocently to look at herself.

Settling in to her new home she meets a group of apprentice witches – far from dying out, witchcraft in this part of the world seems to be thriving. As the new girl she faces the usual struggles of fitting in. The patronising and rude self-appointed leader of the group, Annagramma could be found in any playground in the world. Tiffany represents a potential challenger to her top-dog status, having already met Discworld’s greatest witch, Granny Weatherwax, and been given a hat by her, albeit an invisible one (hence the novel’s title). The other girls don’t believe her, and are mean. Upset by this encounter, Tiffany is vulnerable and is taken over by the hiver. Being possessed by the hiver makes her feel powerful but dangerous, almost like taking drugs?

You can read Tiffany’s struggles with the hiver as a metaphor for depression, anorexia, or any other mental health problem. Young women in particular are vulnerable to doubts about their value, even their identity. That vulnerability can leave them open to ideas or other things that are superficially empowering but nonetheless harmful. Pratchett doesn’t overwork this concept – Tiffany doesn’t self harm for example – but she does struggle internally with the hiver, trying to assert her identity. Her small cries for help aren’t heard by her friends, although the Feegles quickly work out what has happened. Without ever being patronising or spelling things out, I think Pratchett gives his readers some practical ideas on how to deal with these issues in a way that is probably far more helpful than the self-help books that address these issues head-on.

Fortunately, Tiffany has a trump card, the Nac Mac Feegles, wonderful, unruly pictsies, sworn under a geas to defend her from harm. I love the fact that Pratchett is happy to make the geas/geese pun (more than once), even though it is such a terrible dad-joke. Rob Anybody, fearless leader of the Feegles, magically travels into Tiffany’s mind to help her fight the hiver. He works out that smells from her past will allow her to break from the hiver’s control (the scenes where the Feegles collect the items needed – tobacco, alcohol and wool – are a wonderful diversion). Tiffany wrests back control but is left with the memories of the hiver’s previous victims, which she uses to give her strength, drawing on them for support. With the help of Granny Weatherwax, visiting for the Witch Trials, Tiffany comes to understand that the hiver is not something that she needs to defeat but to come to terms with. I think this all works really well as an extended metaphor for how to deal with mental health problems.

I’ve talked a lot about this book being a guide to growing up. But as with all Pratchett’s novels the wisdom it contains is for all ages. I found this paragraph on leaving home quite poignant:

Why do you go away? So that you can come back. So that you can see the place you came from with new eyes and extra colours. And the people there see you differently, too. Coming back to where you started is not the same as never leaving.

And there’s also this advice, which initially appears to be quite witch-specific, but perhaps not:

“Always face what you fear. Have just enough money, never too much, and some string. Even if it’s not your fault, it’s your responsibility. Witches deal with things. Never stand between two mirrors. Never cackle. Do what you must do. Never lie, but you don’t always have to be honest. Never wish. Especially don’t wish upon a star, which is astronomically stupid. Open your eyes, and then open your eyes again”.

Finally, I have written many times about Pratchett’s ability to make me laugh out loud. Once again he managed to achieve this in the scene when Death appears, and is confronted by the pugnacious and profoundly loyal Rob Anybody:

“I WAS NOT EXPECTING A NAC MAC FEEGLE TODAY, said Death. OTHERWISE I WOULD HAVE WORN PROTECTIVE CLOTHING, HA HA.”

Glorious, precious, stuff. It’s easy to overlook the Tiffany Aching Discworld books as just for children, or ‘stories’ rather than novels, and I was probably guilty of this first time round, but now I am coming to appreciate them far more as fully-rounded additions to Sir Terry’s body of work.

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Book review

The Wee Free Men (Discworld 30) by Sir Terry Pratchett, 2003

Some books are harder to review than others. Sometimes it’s just difficult to find something interesting or original to say, and you don’t want to just summarise the plot and wrap it up with some platitudes about the author’s writing style. But this isn’t that kind of difficult. The Wee Free Men is so full of wonderfulness that it is impossible to capture it all – and to fail would be a disservice to the breadth of Pratchett’s skill as an author. It’s not perfect of course but it’s pretty damn close. For younger readers it is an ideal entry point into Discworld.

Nac Mac Feegle.jpg

The Wee Free Men features the magnificent nine-year old Tiffany Aching. She lives with her farming family, helps out around the farm, and looks after her irritating younger brother Wentworth. Tiffany is special – ferociously intelligent and with a thirst for knowledge and understanding.

I am careful and logical and I look up things I don’t understand! When I hear people use the wrong words, I get edgy! I am good with cheese. I read books fast! I think! And I always have a piece of string! That’s the kind of person I am!

Pratchett’s ability to create fully-rounded female characters always astounds me, and here he does it again, entering imaginatively into the mind of a precocious young girl and getting it pitch perfect. I can’t think of another author of his generation who writes such brilliantly fierce, independent and strong women as Pratchett. They are not just adornments to his novels, they are centralised and given distinctive voices which articulate the reality of their lives. Of course a man can never fully understand what it is to live the life of a woman, but Pratchett does an amazing job of trying. And he defies stereotypes at each turn, not in a self-conscious “I am going to create a gender-fluid character to show how progressive I am” way, but because such characters genuinely interest him.

Although this is a younger reader’s novel, there’s nothing patronising or simplified about the story – it is nuanced, layered, and contains several moments of genuine peril. The bad guys have grim-hounds, dream-stealers and things too scary to describe, and are led by a witch several times scarier than anything in Narnia.

Zoology, eh? That’s a big word, isn’t it?”
“No, actually it isn’t,” said Tiffany. “Patronising is a big word. Zoology is really quite short.

In the previous novels in the series Pratchett created many vividly imagined settings: the sprawling chaos that is Ankh-Morpork; the mountain kingdom of Lancre, the Unseen University, and so on. The Wee Free Men is set in the countryside, a sheep-farming area of grassland known as The Chalk. This small patch of Discworld is vividly evoked and drawn with so much reverence and respect – you have to wonder if Sir Terry grew up somewhere similar to The Chalk.

Anyway, back to the novel. One day while out for a walk with Wentworth, Tiffany sees what the reader knows are Nac Mac feegles, tiny blue kilted men speaking a chaotic and hugely entertaining form of Glaswegian. They warn her of a monster lurking in the river. Using Wentworth as bait, Tiffany bashes the creature with a frying pan. Without mentioning this supernatural experience to any other adult, all of whom are too busy to listen anyway, she seeks out Miss Tick, a visiting witch, who teaches Tiffany some important lessons:

“If you trust in yourself. . .and believe in your dreams. . .and follow your star. . . you’ll still get beaten by people who spent their time working hard and learning things and weren’t so lazy.”

She also tells her all about the Nac Mac Feegle. These riotous pictsies are at the heart of the novel, and are an inspired, vibrant creation. I particularly enjoyed their fear of lawyers – “We’ve got a cheap lawyer an’ we’re not afraid to use him!” In a nod to Tolkien, the Feegles’ swords glow blue in the presence of lawyers. The Feegles believe they are dead – this world is so full of wonders that it must be heaven. When they die therefore there is no cause for grief – you can’t die if you are already dead. That feels seriously profound to me – comforting and at the same time reminding one to appreciate the world as it is.

All of which is a prelude to Wentworth being kidnapped by the Queen of the Fairies, and Tiffany’s rescue mission. She is aided by the Nac Mac Feegles, including Rob Anybody (I confess I only got that joke (that he will steal from anyone) when I read the name out loud; before that I just thought it was a silly name. This might suggest that the novel was written to be read to younger children perhaps?) Big Yan, Daft Wullie, Hamish, the Feegle’s Gonnagle William. The Gonnagle is the Feegle’s battle poet, reciting poetry of Vogon severity that causes enemies to flee. Well I never said the jokes were going to be sophisticated did I?

Tiffany and the Feegles’ adventures in fairyland are scary enough. All through the novel Tiffany remembers her Granny, Granny Aching, an iconic figure of the Chalk who died a few years earlier but remains a crucial figure in her life. This is a touching tribute to the importance of grandparents in children’s lives, and I am sure would be a comfort to any younger reader going through a similar loss.

The novel ends with what is in effect a guest appearance by Granny Weatherwax and Nanny Ogg. In true fairy godmother style, Granny gives Tiffany an imaginary witch’s hat. Tiffany asks

Is it really there?”

“Who knows….It’s virtually a pointy hat. No-one else will know it’s there. It might be a comfort.”

“You mean it just exists in my head?” said Tiffany.

“You’ve got lots of things in your head. That doesn’t mean they aren’t real”.

The Wee Free Men, page 307

Surely it’s not just me who sees this line reappear in Harry Potter and the Deathly Hallows, when Dumbledore says to Harry:

“Of course it is happening inside your head, Harry. But why should that mean that it is not real?”

I’ve only scratched the surface of the wonders of this novel. If you haven’t read it before I am so jealous.

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